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Nicely Entertainment Maintains “Feel-Good” Style In AVOD-Driven Market



Read more on World Screenings: Nicely Entertainment Maintains “Feel-Good” Style In AVOD-Driven Market


The Nicely Entertainment slate has continued to expand with its own and third-party titles, keeping an even balance between the two and catering to a range of AVOD and digital partners. “We’re certainly continuing to broker traditional license deals globally—broadcast and streaming—but in the U.S. and Canada, we’re seeing quite a bump in AVOD and CTV revenues,” says Vanessa Shapiro, CEO. “With cord-cutting on the rise in Europe, we’re expecting the same pattern internationally in key territories over the coming years.”

The Nicely catalog continues to focus on “inspirational and boutique, feel-good-style” movies and complements its own produced titles with acquired projects. “At Nicely, we have a very clear mandate when reviewing third-party titles,” Shapiro explains. “Our wish list is limited to only growing out our core genres. We’re always open to reviewing romance content—specifically destination-themed romance titles and Christmas romance titles—and we’re always open to reviewing female-driven thrillers.”

It also helps that Nicely is getting involved in projects earlier than ever to help shape them to fit what the market is looking for. “Broadcasters and streamers have become much more selective in their content,” she says. “Co-producing across international borders is also becoming more critical. Nicely is well established as co-producing with Australian and Canadian partners, but in 2024, we’re expanding that workflow to Europe with our first European co-production coming later this year.”

This early involvement allows Nicely to mold content to fit the expanding ad-supported sector. “As connected-TV manufacturers increasingly launch their owned-and-operated D2C services on their branded smart TVs—and big-box retailers invest in media outlets for advertising expansion—we at Nicely see a growing opportunity on where these worlds collide and how TV movies can be utilized as growth vehicles,” Shapiro explains.

As an example, she offers the Ashlee Simpson-led The Recipe Files, “a cozy mystery Christmas romance produced for QVC+. This film blended QVC product integrations into the plot, including QVC cameo appearances throughout, and allowed for a very fun ad-driven experience without all the disruptive ad breaks found elsewhere. This is where the industry is headed.”